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Micaya, who grew up in Atlanta and moved to San Francisco in 1987, didn’t set out to transform the presentation of hip-hop dance. She wasn’t even a hip-hop dance fan in her formative years. As a young dancer soaking up influences in the 1980s, she focused on reggae, African and Brazilian styles, “but I knew hip-hop wasn’t that far a stretch,” she says. “It was just another culture that I appreciated.”. Once she started teaching in San Francisco, her students were increasingly interested in hip-hop, and she saw an opportunity to bring the community together. The first festivals featured mostly Bay Area companies, but word quickly got out, and soon Micaya was fielding DVDs from companies and dancers in Los Angeles, Seattle and New York City, all interested in taking part.

Curating became an education in itself, as she saw an increasingly extensive array of work, When European acts started contacting her, she became determined to make the event truly international, “The curation is still a puzzle,” Micaya says, “With both the A wedding ballet flats shoes royal blue green cobalt blue bridal flats shoes elegant celtic ballet slippers flower girl flats and B programs, I try to create a cohesive presentation, I love the artistic stuff, where companies are taking hip-hop and telling a story, The kids want explosions and music that’s trendy, So you get all styles, small groups and big groups, international and local, I feel like the quality of the work presented has gotten much better and much higher.”..

“We don’t go around saying the Yiddish language is dying and we need to keep it alive, ” said Judy Kunofsky, director of KlezCalifornia. “We’re Americans. We like to say the culture is vibrant, alive, and come out and share it with us.”. The Berkeley-based group has put on the celebrations of Eastern European Jewish culture since 2003. They are not so much about performance as they are about teaching. Some 400 people attended the two-day event, which this year was rich with instruction in klezmer dance music. Joyful and mournful, communal and individualistic, klezmer is taking the world by storm.

“I’m not sure why, but it’s like the popularity of tango, waltz wedding ballet flats shoes royal blue green cobalt blue bridal flats shoes elegant celtic ballet slippers flower girl flats or jazz,” said Joel Rubin, a world-class klezmer clarinet player invited to teach young and old musicians at the event, “The spread of Jewish klezmer shows it’s become part of the world’s cultural heritage.”, However, it was pretty much back to basics at the KlezCalifornia classes led by masters like Rubin, In one session, he had a young band of 20-somethings called Orchestra Euphonos, a quartet from Oakland and Santa Rosa, play one of its favorite tunes, Rubin recognized it as an early classic, which he played for them on a laptop loaded with old tunes for any available teaching moments, In a most polite but direct way, he told them many young klezmer musicians ought to look up the originals first..

“I hate to sound like a purist or something,” he said, “but it sounds like a telephone message that keeps getting passed along.”. He told them they had played the song too slowly, left out a lot of notes and that it was the first time he had ever heard a klezmer clarinet louder than the saxophone. The Euphonos took the criticism as constructive. “It was great to get his perspective from the outside,” said trumpeter Peter Ronos, 29. “It’ll help us perform better.”.

Most of the attendees at the Yiddish festival were young or older adults, “We can’t seem to get the young children or teens,” Kunofsky said, “but we’re working on that.”, “I’ve always danced to ethnic folk music from all over the world,” he said, “But I never learned my own traditions until I learned it at this festival.”, As with other instructors at the festival, Bierman is a performer who didn’t just pick up the dances, He became a student of 1,000 years of Yiddish history, World War II and the Holocaust nearly “obliterated” Yiddish culture, he told the dance students, Even the survival of Yiddish wedding ballet flats shoes royal blue green cobalt blue bridal flats shoes elegant celtic ballet slippers flower girl flats culture in Israel, from language to dance, wasn’t guaranteed as the young nation resurrected Hebrew as the Israeli common tongue..

Bierman started his class with a “zhok,” a Romanian step done while holding hands in a moving circle. As the circle moved, he gradually added heel and toe touches, twists and turns. But there was something missing. “Davka!” Bierman said, the Yiddish word for “despite” or for an act of defiance. “It’s a style, an attitude,” he said. Everyone knew he was referring to the pain and joy of Yiddish survival through the centuries. “It means I’m gong to sing and dance anyway.”.

Bayonetta casts an odd shadow, You can see it during the calmer moments of her adventure, when she stands still instead of dance-slashing her way through a host of angels and demons, Her shade has butterfly wings and a hammerhead crown, and the fact that you may overlook that detail sums up virtues and pitfalls of Bayonetta 2, Platinum Games sequel fixes the problem of the original (namely the convoluted story) while maintaining an approach that keeps the gameplay status quo, (Why try to fix what isn t broken?) It begins with a mysterious prologue and continues as Bayonetta is attacked during a holiday shopping spree, The battle that ensues leads to trouble for her fellow Umbra witch, Jeanne, One of the demonic creatures that Bayonetta summons attacks her friend, and Jeanne’s soul descends wedding ballet flats shoes royal blue green cobalt blue bridal flats shoes elegant celtic ballet slippers flower girl flats into hell, The out-of-control monster also raises issues with source of her powers.Bayonetta battles a Lumen Sage, one of her main adversaries in the sequel..

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