Ballet Slippers Abstract Watercolor Digital Painting Printable - Newest

Ballet Slippers Abstract Watercolor Digital PaintingPrintablePainted in Adobe PhotoshopInstant Digital Download: 1 High resolution JPG file included.Dimensions: 20 x 14" The Resolution is a rich 300 dpi.This unique digital painting of Ballet Slippers would be fun for anyone who loves ballet, watercolor, and abstract art. It would be a precious painting for a baby nursery, a little girl's room, or even a big girl's room. This is for a digital file. You will not receive a physical product. Since this is digital files, you can download it more than once for PERSONAL USE ONLY. The colors may vary from monitor to monitor. The digital file you receive will not have the Fearless-Diva Logo on it. This digital picture is NON REFUNDABLE.If you have any questions, please send me an email. Thank you!

A Well, this is an experience of live music. And live music making, where you feel the passion and desire of the players to present the music to you, is a very gripping and possibly transforming experience. Most of the music that’s played at those concerts was written with the intention of reaching all people — because classical music has had, longer than any other kind of music, the ability to survive, to continue on through time. A I’m aware of how fortunate I am to be here working with this orchestra, and to be in this community. I’ve always felt welcome here, going back to when I first guest-conducted in San Francisco, which would be 35 or 40 years ago…. And I’m proud of the fact that, after 20 years, the level of communication that I feel with the musicians is strong, and that we are still finding new and wonderful pathways to explore.

Q You feel it’s still on the upswing?, A Yes, Our conception of music ballet slippers abstract watercolor digital painting printable together — lots of things we’re doing are more subtle, more lustrous, There’s a certain kind of elegance in a lot of things we do, This new recording I mentioned — it’s the kind of playing I heard in Haifetz’s and Piatigorsky’s class, which always made such an impression on me, And to hear a whole group playing this way is inspiring, As an example, I’m hearing the direction the brass section is going in, being able to spin their breath over longer and longer contours and with more and more colors, There’s always something going on in the orchestra, something new and inspiring, And it makes me so happy to be part of it..

“Wicked,” the irrepressible Broadway blockbuster introduced in San Francisco in 2003, opened Thursday night at San Jose’s Center for the Performing Arts. Eleven years after its world premiere, with numerous revivals under its belt, the Stephen Schwartz-Winnie Holzman musical hardly seems worse for wear. With a bright production and an energized cast, this production came to life with plenty of verve. Not even a last-minute cast change in a principal role could mar the high spirits onstage in this perennial prequel to “The Wizard of Oz.”.

Presented by Broadway San Jose, Thursday’s opening, which marked the show’s first appearance in the South Bay, sparkled in all the ways that have made “Wicked” a record-breaking hit, It is directed by Joe Mantello, The eye-catching designs are in place, from the shining green Emerald City and giant clockwork gears of Eugene Lee’s sets to the parade of Victorian grunge, glitzy gowns and stylized prep school costumes by Susan ballet slippers abstract watercolor digital painting printable Hilferty, And hanging above the stage, presiding over all, is the show’s glowering, fire-breathing trademark dragon..

“Wicked,” of course, is the story of what happened before Dorothy and Toto touched down in Oz. Based on Gregory Maguire’s best-selling novel, Holzman’s clever book joins with Schwartz’s music and lyrics to focus on the relationship of the two witches — the Wicked Witch of the West, here called Elphaba, and Glinda the Good. The musical begins when they’re both young girls, and follows them as they become college roommates, then best friends, rivals, and sworn enemies.

If the show’s creators have never quite managed to resolve its flaws — despite rewrites, “Wicked” still feels overstuffed, and the second half fails to fulfill the promise of the first — it remains a fairly engaging theatrical ride, one that a good cast can invest with considerable urgency, Thursday’s ballet slippers abstract watercolor digital painting printable cast did just that, with strong performances throughout, The evening’s standout was Chandra Lee Schwartz, As Glinda — the role created in San Francisco by Kristin Chenoweth — Schwartz projects all of the character’s hilariously peppy, self-absorbed mannerisms, She sings with precision (“Popular” was crisply articulated) and spouts Holzman’s funny malapropisms at regular intervals, She’s also a natural comedian — simply watching her toss her hair is funny..

But the surprise of Thursday’s opening was Emmy Raver-Lampman, who replaced the originally scheduled Emma Hunton as Elphaba. Raver-Lampman, listed in the program as the role’s Standby, stepped up with assurance, bringing the beleaguered green girl to life with grace and agility. Her voice doesn’t come across with the laser-beam intensity and brilliant high notes of Idina Menzel, who originated the role. “Defying Gravity,” Elphaba’s big Act I number, sounded a bit underpowered in Raver-Lampman’s performance.

But she produced lithe, lovely tone in her other solos and in duets with Schwartz, She also brought intelligence and an aptly fiery spirit to the role, There were fine performances in the secondary roles, Nick Adams exudes charisma as Fiyero, the man who turns Glinda and Elphaba into competitors, Jenny Florkowski is a poignant Nessarose, Alison Fraser makes Madame Morrible a formidable presence, and Tom Flynn is a ballet slippers abstract watercolor digital painting printable sympathetic Doctor Dillamond, Etai BenShlomo elicits sympathy as the Munchkin Boq, and Tim Kazurinsky brings Vaudevillian flair to his scenes as the Wonderful Wizard of Oz, The large supporting cast sings lustily and looks splendid in James Lynn Abbott’s dance arrangements..

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