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Details: 8 p.m. Sept. 11-13, 2 p.m. Sept. 14; ODC Theatre, San Francisco; $20-$40; 415-863-9834, www.odcdance.org. 6 NATIONAL ACROBATS OF CHINA: The acclaimed performance troupe that charms and amazes with an act that incorporates hoops, poles, cycles and extraordinary athleticism comes to the Bankhead Theater in Livermore on Sept. 12. Details: 8 p.m.; $42-$60; 925-373-6800, www.mylvpac.com. 7 SAN FRANCISCO FRINGE FESTIVAL: In many ways, this annual event, now in its 23rd year, represents what theater is really about: artists of all types trying to turn the germ of an idea — ghosts haunting a high-tech company, Russian vaudeville, a lesbian/Mormon love story — into a memorable stage experience. Nearly three dozen shows are offered in all.

Details: Through Sept, 20; Exit Theatre, San Francisco; $10 per show, multishow passes available; www.sffringe.org, 8 “CAT ON A HOT TIN ROOF”: Tennessee Williams’ pressure-cooker of a Southern family drama opens the season for Role Players Ensemble in Danville, one of many small Bay Area theater companies not afraid to tackle works with big ideas, Details: Through Sept, 20; Village Theatre, Danville; $20-$28; www.roleplayersensemble.com, 9 “THE UNEXPECTED GUEST”: Broadway West in Fremont presents the stage red leather women's ballet flats, women's leather flat shoes, leather flats, ballerina flats adaptation of the Agatha Christie thriller, which follows a seemingly obvious murder case as it unravels..

Details: Sept. 12-Oct. 11; Clarke’s Hall, Fremont; $20-$25; 510-683-9218; www.broadwaywest.org. 10 MARK FOEHRINGER DANCE PROJECT: Bay Area choreographer Foehringer teams with multimedia artist Camille Utterback and others in his new evening-length work, “Dances of the Sacred and Profane,” which reportedly will feature video and animated images responding in real time to dancers’ movements. Details: Sept. 13-21; Cowell Theatre at Fort Mason Center; San Francisco; $18.50-$28.50; www.mfdpsf.org.

After an eight-month break, the festival returned Wednesday to Davies Symphony Hall for a third (and final) program, which repeats through Saturday, It’s a gas, Bates, 37, came first: His “Alternative Energy” red leather women's ballet flats, women's leather flat shoes, leather flats, ballerina flats is an “energy symphony” in four movements, vaulting across four centuries and several continents as it paints up scenes of technological promise and meltdown, It draws on Bates’ secret sauce — his conjoining of techno dance beats (he has spent years as a club DJ in Berlin, Rome, Chicago and San Francisco) and his finespun orchestral palette, which fizzes, drips and sails with bird-of-paradise colors and shimmering atmospheric detail..

Composed in 2011, “Alternative Energy” is becoming a hit. Riccardo Muti and the Chicago Symphony Orchestra commissioned it and also performed it at Davies in 2012. (They’ve recorded it for their CSO Resound label.) Marin Alsop led a performance at the Cabrillo Festival of Contemporary Music in Santa Cruz in 2013. This week, Tilson Thomas and the San Francisco Symphony are performing it for the first time and recording it for release next spring on the orchestra’s SFS Media label.

As always, Bates — a mop-topped guy, casually dressed all in black — was back in the percussion section with his drum pad and laptop, He’s the soloist, triggering beats along with whooshed and buzzing digital effects that flash through the varied orchestral landscapes, (The effects are broadcast through speakers that ring the orchestra.) His physical mojo is fun to watch — very different from that of the more buttoned-down musicians around him — and his treatment of dance beats is fascinating, They emerge red leather women's ballet flats, women's leather flat shoes, leather flats, ballerina flats naturally, as extensions of the orchestra, though I suppose you could also flip the perspective to imagine the orchestra as an organic extension of the beats..

When a four-to-the-floor techno beat gathered quiet power and then finally erupted in the third movement — which imagines a nuclear meltdown in China in 2112 — it was as if a very large animal had broken out of its cage. There’s something primal happening in this piece. A friend who attended Wednesday said he sensed a backdrop of David Byrne and Talking Heads — that kind of urban energy — or perhaps the menace of what Thomas Wolfe called “the manswarm.”.

I always hear the influence of “Shaft” and ’70s blaxploitation film soundtracks in Bates’ stealthy, creeping funk influences, Go, and see what you hear, Tilson Thomas led a performance that was earthy and elegant, too, “Alternative Energy” is a real showcase piece; there were lyric, eerie and humorous contributions from muted brass, from flaring winds, from a bevy of percussionists (whose many instruments included a beat-up auto red leather women's ballet flats, women's leather flat shoes, leather flats, ballerina flats muffler and grill) and from concertmaster Alexander Barantschik, who played the spiky folk tune that is the idée fixe of “Alternative Energy.”..



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