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Meghan Ihle’s Sarah and Vince Perry’s Harry can’t stop contradicting and undermining each other, even as they smile lovingly at each other. The unnervingly grinning couple Susan and Peter (Michelle Ianiro and Dennis Markam) couldn’t be happier about getting a divorce, while Amy (Suzie Shepard, hysterical in both senses of the word) is in such a panic about getting married to the serenely adoring Paul (Paul Plain) that she seems ready to jump out a window. Bobby gets stoned and giggly with the usually straight-laced Jenny (Megan Stetson, with a lovely operatic voice) and her freedom-missing husband, David (Alex Moore), and he gets sloppy drunk with the jaded and mean-spirited Joanne (Jill Gould) and her long-suffering third husband, Larry (Craig Eychner).

“Company” doesn’t have the polished songcraft of some of Sondheim’s subsequent works — his lyrics would become more clever and his tunes both more infectious and more intricate — but there are a few memorable numbers that come off well under the musical direction of Margaret Halbig, Gambardella’s love letter to the city, “Another Hundred People,” lacks energy to match its tempo, but Shepard delivers a fast-paced and funny “Getting Married Today,” and Gould packs some power into the bitter toast “The Ladies Who Lunch.” Collard does a charming old-fashioned song-and-dance number with “Side by Side by Side,” about the comfort of being in a crowd of personalize ballet bracelet ballet theme bracelet,gift for a dancer dance bracelet dance recital gift pearl bracelet free shippi three, and he also throws plenty of passion into the desperate lament “Being Alive.” The only problem is that the more anguished Bobby acts about just needing someone to love, the less believable it is because he’s so unserious about any given romance and just doesn’t seem like the settling-down type, Bobby loves everybody and nobody at all..

But Morris also has a musical visualization mood. Dancers can enact lines of an opera chorus to drive home a plot detail. They can pantomime trees. They can pull at their pockets when the song line is about being broke and begin a dance phrase on the count of 1 and end on the count of 8 so that we know that the dance isn’t going to tread on the music. The music is sacred. This is part of Morris’ wizardry. It’s also his Achilles’ heel. Thursday night in the first of a four concert, two-program run at Cal Performances, his Achilles was on full display. Movement and music were so predictable in the night’s opening works, “The Muir” and “A Wooden Tree” on Program A, that the dances shrank and looked dwarfed by the stage.

“The Muir” was a dance of charming parts that together were ill-fitting, even confounding, Morris chose Beethoven’s rendering of 10 Irish and Scottish folk songs for his music, which was beautifully sung by soprano Angela Arnold, tenor Jonathan Smucker and baritone Daniel Pickens-Jones, Three women — feisty Rita Donahue, strong Michelle Yard and willowy Laurel Lynch — were decked out in galumphing dresses that resembled a 1950’s mash-up of “La Sylphide” and “Lilac Garden,” here with dark tuille skirts and cocktail-style bodices that personalize ballet bracelet ballet theme bracelet,gift for a dancer dance bracelet dance recital gift pearl bracelet free shippi flattered no one, By contrast, the men were dressed in silky poet shirts and looked elegant..

Costumes and scale aside, Morris’ choreography was packed with untethered gestures, delivered as musical accents and offered as irony, seemingly about the impossibility of male-female romance. The female trio looked unpleasantly awkward in their leaping, by-the-beat phrases while the sprightly men (Dallas McMurray, Billy Smith and Noah Vinson) seemed overwhelmed by these larger and stronger female partners. The picture emerged of women crashing the men’s more musically refined entanglements.

“A Wooden Tree” also turned to vocal music and took 14 songs from the late Glaswegan, Ivor Cutler, former offbeat poet and harmonium player, With them, Morris created a fey work bedecked in designer Elizabeth Kurtzman’s tartans and tam o’shanters, Touched by the spirit of Portlandia and perhaps mixed with Wes Anderson’s nostalgia, this was music visualization that questioned the nature of love, the use of personalize ballet bracelet ballet theme bracelet,gift for a dancer dance bracelet dance recital gift pearl bracelet free shippi a toy, the methods of mating and why men and women had to be together, It was charming and it was thin..

If the first half offered audiences an adolescent look at mismatching, the program grew up with the fraught though still too musically literal “Jenn and Spencer,” set to Henry Cowell’s Suite for Violin and Piano.” Morris created continuity by quoting the entrances of “The Muir,” then set a single couple prowling the stage. Suddenly, gestures were bound to intention, and the heterosexual pairing in which a central counterclockwise circling packed drama, became richer and more fraught than the earlier encounters, even if still slave to the music.

From his video game mystery “First Person Shooter” to his corporate thriller “Ideation,” he draws on his ear for geek speak and his understanding of the issues facing the tech generation, He took his inspiration for “Ideation,” which won the 2013 Glickman Prize for best new play personalize ballet bracelet ballet theme bracelet,gift for a dancer dance bracelet dance recital gift pearl bracelet free shippi to premiere in the Bay Area, from the time he logged with corporate management consultants while he was a vice president at Electronic Arts, “I was very impressed by the way they took the most complex and intricate problems and broke them down into bite-sized chunks which they then attacked with great intellect and rigor,” says the 40-something Berkeley resident during a break from rehearsals at San Francisco Playhouse, where the show is opening the company’s new season..

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