Little Ballet Slipper Necklace - Newest

MK Charms by MeganKathleenA sweet little ballet slipper hangs from a 16" or 18" sterling silver chain with lobster claw clasp.***Charm measures approximately 19mm long and 5mm across and is 3D.Necklaces are packaged in a gift box and will be shipped domestically USPS 1st class with delivery confirmation or overseas USPS 1st class international. I do combine shipping. If your order totals $100 or more I will add insurance at no additional cost (domestic only). Please see my Shop Policies for more information on payment and shipping methods. Come back soon to see more beautiful jewelry and please feel free to convo me with any questions.More from MeganKathleen:megankathleen.etsy.com: artisan jewelry linemkelements.etsy.com: jewelry-making supplies, overstocks, & sample sales

However, the vast majority of 75 or so cyclists Sunday were not Indo-Americans. City Councilman Ash Kalra, who is of Indian background, said the largely immigrant community in San Jose could easily be introduced to cycling. “Indians like to walk, like to hike,” he said. “You see them out there every weekend. Good outreach by the biking community will help.”. The professional disc jockey also rides one of Bike Party’s official “music bikes.” These are special cargo bicycles loaded with 250 pounds of components and speakers. The bikes are equipped with wireless technology that allows them to play the same tune played from a single cell phone or MP3 player.

His “Harold in little ballet slipper necklace Italy” isn’t quite a symphony and isn’t quite a concerto, though it has a considerable solo part — rhapsodic, wandering, observing — for viola, Saturday at the California Theatre, Patricia Whaley — the orchestra’s principal violist — was the effecting soloist for a performance of “Harold” that struck just about all the right chords: tender, enigmatic, charmed, neurotic and, well, trippy, Guest conductor Karen Kamensek was the impelling guide for “Harold,” which was commissioned from Berlioz in 1834 by Niccolò Paganini, As it turned out, he never performed the piece; its solo part was too reflective and restful for Paganini, who sought fireworks, not subtlety..

As much as it is said to follow the journey of a Romantic hero — the Harold of “Childe Harold’s Pilgrimage,” a poem by Lord Byron — “Harold in Italy” also was inspired by the composer’s own wanderings by foot through the central Italian region of Abruzzi. Over the course of the work, we “see” Harold/Hector in the mountains, or observing a pilgrims’ march and, later, a lover’s serenade. Stumbling upon a group of brigands, the hero witnesses an intoxicated orgy.

This narrative threaded through Saturday’s performance, as in the opening movement (“Harold aux montagnes”) when Whaley first stated the work’s “Harold theme,” the motto or idée fixe that returns again and again, Accompanied by clarinet and harp, Whaley’s rendering of the theme was lovely; it emerged as a tender dream of a melody, a true reverie, One could imagine the wanderer, quietly giddy amid the mountain mists, As the performance continued, Whaley’s tone was sometimes sinewy, sometimes golden and round, There were some moments — as in the “Serenade” (the third movement) — when one wished for her to play out more forcefully, But she seemed to have decided that her Harold was little ballet slipper necklace fundamentally a dreamer..

Meanwhile, there was Kamensek, who made her debut commandingly with this orchestra last May in a program that featured pianist Jon Nakamatsu. Earlier this month, she completed a run at San Francisco Opera, where she conducted Carlisle Floyd’s “Susannah.” And over the weekend, here she was again at the California Theatre. While leading a stately tempo for the “Marche des pélerins” (“March of the Pilgrims”), she incited the strings to a strikingly rich and earthy performance. The remote French countryside where Berlioz spent his childhood — within sight of the Alps — somehow always lives on inside his music; Kamensek made this clear in the hearty dance that opens the “Serenade.” The “Orgie de brigands” kept acquiring momentum, climaxing with a clattering yet controlled tumult.

Billed as “An Italian Tour,” the program (which repeat Sunday) opened with Respighi’s “Ancient Airs and little ballet slipper necklace Dances,” Suite No, 2, from 1923, in which the composer re-imagines courtly dances of earlier centuries, Saturday, its second movement (“Danza rustica”) was especially charming, Its tick-tock rhythms took on a lively swing, fed by the double basses and harpsichord, Respighi gave way to Verdi, whose “La Peregrina” (from 1867) was composed as a ballet sequence for “Don Carlos,” though it was eliminated from the opera during the composer’s revisions, Infrequently performed, it proved to be a showcase for Symphony Silicon Valley..

Concertmaster Robin Mayforth took full advantage of her solo turn, which was sturdy and sweetly lyric, too. There was a sort of “en pointe” dance for clarinet and flute that sparkled. So did a number of the orchestral tuttis, especially those featuring a full array of brass — classy playing by the section, straight down to the tuba. And this crisp, spirited performance popped like a champagne bottle at its conclusion; like a good short story writer, Kamensek understands the value of a strong ending.

For more information, call (408) 684-4785 or visit healthtrust.org/services/learning-together-initative/, Bach to Nature, Conversational English class, The breakfast, a 50-year old tradition in Milpitas, is sponsored by the Sunnyhills United Methodist Church and the Sunnyhills Neighborhood Association, Breakfast is free (donations requested), All Milpitas residents and business owners are invited to attend and participate, The Milpitas Community Breakfast takes place the first (non-holiday) Saturday of the month except July and August, The next Breakfast will be Nov, 1, For more information, call little ballet slipper necklace (408) 263-8942..

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