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I had three favorites tonight. I loved, loved, loved Tommy Chong and Peta Murgatroyd’s salsa. Tommy can really move, even at 76, and the judges kept the pot jokes to a minimum. Julianne used a list of “F words” to describe the performance: “fun, fast, footwork was awesome, funny — in all, fabulous.” Carrie Ann called Tommy “the Big Kahuna” and pointed to the way he yanked open his shirt at the end of the dance. Later, Erin asked him how he felt with an open shirt. “Cold,” Tommy deadpanned. They also received four 7’s for 28.

I also liked the foxtrot by Bethany Mota and Derek Hough, She hurt her ankle last week and it really was bothering her, but she gutted it out to do a great routine, including balancing on a bass fiddle (yes, her song was “All About That Bass.”) She looked great and Bruno compared it to a Bob Fosse foxtrot, Julianne thought it was awesome and Len said that although he black crystal sparkle women shoes flats, rhinestone ballet flats dancer shoes, custom bridesmaid flat shoes soft comfortable fla was not a big Twitter man, to laughter from the audience, she could put on YouTube that it was a great number, Scores? Three 8’s, and a 9 from Len, for 33..

Finally in my top three was the jive by Lea Thompson and Armen Chigvintsev. She is really going to be the one to watch if she keeps this up. In fact, Carrie Ann got so carried away that she fell completely off her chair — again! Host Tom Bergeron, the King of Quips, said that she was the “only judge for whom we’ve installed an air bag.” Len said he had been concerned about her jive but shouldn’t have been because she was “terrific.” Her results were the high score of the night: three 9’s, and an 8 from Len, for 35.

The low points of the night began with Tavis Smiley and Sharna Burgess, He was on a book tour, she was trying to teach him the routine and it was complain, complain, complain that there was no time for dancing, Their cha cha was stiff and lacked a lot of technique, Len thought black crystal sparkle women shoes flats, rhinestone ballet flats dancer shoes, custom bridesmaid flat shoes soft comfortable fla it was a tough week for them and that it showed in their dance, but Julianne and Bruno said they performed it well, Were they watching the same dance that we were? They ended up with a 28, but I thought it should have been lower..

Michael Waltrip and Emma Slater danced a samba that was high on ogling girls in bikinis and low on dance steps. Michael is very nice and easy to like, but he wants to be the next Bill Engvall (Season 17) and doesn’t have Bill’s smooth moves. Although Carrie Ann said “the world needs more of what you’ve got,” she added that there wasn’t much samba in their samba. They only thing he did well was his hip rolls, and Bruno let him blame it on being distracted by the girls. The judges each gave the pair a 6 for a total, and low of the night, of 24.

“The Rite of Spring” played by three musicians? It seemed impossible, But the performance by The Bad Plus — pianist black crystal sparkle women shoes flats, rhinestone ballet flats dancer shoes, custom bridesmaid flat shoes soft comfortable fla Ethan Iverson, bassist Reid Anderson and drummer Dave King — was both dazzling and deeply revealing, Audiences can catch repeat performances this week when the Mark Morris Dance Group performs two programs Thursday through Sunday at Berkeley’s Zellerbach Hall, One West Coast and five Bay Area premieres are on the schedule, “Spring, Spring, Spring,” accompanied by The Bad Plus, will comprise Program B, performed along with Morris’ “Excursions” and “Crosswalk.” Program A, accompanied by the Mark Morris Music Group, includes the choreographer’s “The Muir,” “A Wooden Tree,” “Jenn and Spencer” and “Festival Dance.”..

Iverson is looking forward to revisiting Stravinsky’s score in Berkeley. In a call from his studio in Brooklyn, New York, he called the Bad Plus arrangement “stripped down and direct.”. “Our approach really is about rhythm,” he said. “We try to bring out Stravinsky’s rhythm and our own sort of folkloric perspective.”. That approach melds brilliantly with Morris’ view of “Rite.” Instead of the grim landscape favored by many choreographers, Morris makes the work a celebration. The dance brings out what Iverson, on his “Do the Math” blog, calls Stravinsky’s “earthy groove.”.

“It’s a great way to look at this music,” he says, “The classic choreography of the ‘Glorification of the Chosen One’ is a sort of fantasia with dinosaurs killing each other, It’s like, OK, time for the fight, So there’s this scary atonal black crystal sparkle women shoes flats, rhinestone ballet flats dancer shoes, custom bridesmaid flat shoes soft comfortable fla music, jagged rhythms, death, “None of that is in ‘Spring, Spring, Spring.’ I find Mark’s choreography very joyous — a way of redoing a tormented emotion into a pretty, pastoral folk dance, It enables us to play the piece in a more relaxed, loving fashion, instead of sort of gritting your teeth, It’s a very deliberate choice, right down to the name of the dance.”..

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