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The cast features a number of familiar faces from past Center Rep musicals: Ryan Drummond (“She Loves Me”), Tim Homsley (“Xanadu” and “Spring Awakening”) and Sharon Rietkerk (“Xanadu” and “Rumors”). Co-star Jerry Lee has been seen just down the hall at Walnut Creek’s Dean Lesher Regional Center for the Arts in Contra Costa Musical Theatre’s “Les Miserables” and Diablo Theatre Company’s “Shrek.”.

And reality TV fans may recognize the fourth dreamer, Derek Keeling, as the third-place finisher of “Grease: You’re the One That I Want,” NBC’s audience-voted competition to cast the Broadway revival of “Grease.” (He eventually played the male lead late in the run.), The plot is negligible: It’s 1963 in “Springfield, USA,” and a local radio station is sponsoring a band competition with a recording contract as the price, Denny, a socially awkward layabout who lives in his mother’s basement (a nicely kitsch-cluttered set by Michael Carnahan), is sure he’s going to win with the help of his even more geeky friends, Drummond is an ballet jewelry. necklace and earrings set entertainingly cocky and curmudgeonly Denny, nicely matched with Homsley’s amusingly nervous-nebbish Eugene and Lee’s sweetly goofy Wally..

They decide they need a sponsor. We never see the auto shop owner backing the group, but representing him are handsome mechanic Skip Henderson, “a grease monkey from the wrong side of the tracks,” and the boss’s beautiful daughter, Lois. Of course all the guys go gaga for Rietkerk’s sunny Lois, immaculately styled in fetching period outfits by costumer Bobby Pearce. But she only has eyes for the coolly subdued Skip and insists he join up as the group’s missing ingredient.

Performed at times as much for comedy as melodiousness, the vocals are strong, especially in the harmonies (music directed by Brandon Adams), Everyone’s given a chance ballet jewelry. necklace and earrings set to shine a little, although the live music from a five-piece band — playiong offstage — occasionally got muffled, Lee Martino’s choreography captures the cute little synchronized dance moves typical of early ’60s singing groups, Keeling’s Skip is understated, and he doesn’t particularly stand out vocally, so it’s hard to buy the premise that the group would be lost without him, In fact the stakes feel pretty low throughout, for both the competition and the romance, After all, almost all of the play is band practice in a basement, It’s lightweight entertainment, but it gets the job done, assuming the job is to deliver the hits of yesteryear in an appealing and amusing package, That’s what a Roger Bean show is all about..

The Berkeley playwright famed for his explorations of Asian-American history and identity — from the Japantown drama “After the War” to “The Wind Cries Mary” (an Asian twist on “Hedda Gabler”) — is now a tenured professor at UC Berkeley’s department of theater, dance and performance studies, a program that has employed such distinguished artists as Spalding Gray and Tony Taccone in the past. A groundbreaker who dealt with Asian-American themes on stage long before it was fashionable to do so, he hasn’t put away his artist shingle, however. The 64-year-old continues to write plays and to make independent films, but these days he spends most of his time nurturing the next generation of artists and scholars. That desire to shape the future and connect it with the bones of the past has long been a hallmark of his career.

“Philip’s quiet demeanor belies a huge passion for the world, for social justice and for unheard voices, for love and storytelling,” says Carey Perloff, artistic director of San Francisco’s American Conservatory Theater, “Working with Philip has been one of the highlights of my time at ACT, His writing is so spare, so specific, so alive and so muscular, I adore the way he can fill in an entire world with very few strokes and ballet jewelry. necklace and earrings set give dignity and depth to his characters in such surprising ways.”..

No one was more surprised than Gotanda, who grew up in Stockton and tried his hand at law and music before turning to the theater, that academia turned out to be a perfect fit. But the pioneering playwright’s gentle demeanor, intense work ethic and insatiable curiosity have helped him make the transition from stage to ivory tower. “I never thought I wanted to teach, but I found that the world changed and I changed too,” says the soft-spoken playwright. “I love being here. I enjoy the intellectual rigor and I enjoy the students. I find them smart and intellectually open and without that sense of self-entitlement I feel at some campuses.”.

Although the prolific writer was initially reluctant to give up producing his own work full-time, the scholarly life has grown on him, Economics also played a part, Although his work has been staged everywhere from ACT and ballet jewelry. necklace and earrings set the now-defunct San Jose Rep to the Manhattan Theatre Club, making a living as a playwright and filmmaker was always a tall order, The short commute to the Berkeley hills home he shares with his actress-producer wife Diane Takei is also a plus, Besides, says Gotanda, “I find it rejuvenating, What’s especially refreshing is that it’s not all about me, my work, my career, Rather, it’s all about the student and how I can help him or her learn, It’s a great relief.”..



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