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“I was cast as a boy in the Pleasanton Playhouse production of ‘Peter Pan,’ ” said Rementer. “Little did I know I would fly in several productions over the years.” Rementer, who is the daughter of Pleasanton’s former City Attorney Michael Roush and his wife, Vicky, has managed to create a career from her love of singing, dancing and acting. And it all started in Pleasanton. “I credit my voice teacher, Kelly Burge, for teaching me important techniques and getting my career started,” said Rementer, adding that before she began lessons, she was a little girl who could only sing really loud, the way Annie belts out “Tomorrow.” Impressed with her student’s talent, the voice coach introduced Rementer to the world of voice-over work when she was in middle school. “I did voice work for the Reader Rabbit computer games,” she said. “This was when I realized I didn’t need to sit in front of a desk to earn a living.” After graduating from Amador Valley High School in 2003, Rementer attended UC Irvine, where she participated in a satellite program that allowed her to live in New York to experience the theater scene and New York’s fast pace of life.

“Being a California girl, I discovered I didn’t like it,” she said, “But it was a great experience and led me truck art ballet flats (khussa) to explore other opportunities.”, After earning her degree in drama, she performed with Norwegian Cruise Lines where she traveled to Africa, South America, Antarctica and Europe, This led to work with Disney Cruise Lines, where she appeared in “Toy Story: The Musical” and was cast in a “Peter Pan” production in which, once again, she flew above the stage..

“I loved the Walt Disney Company so much that I moved to Florida to pursue work at Disneyworld,” she said. Rementer was immediately hired and, coincidentally, was cast with a young man she knew, Johnny Orenberg. “Here we were,” said Rementer, “two performers who grew up together in Pleasanton, California, cast together in “High School Musical” in Orlando, Florida.”. Next, Rementer was cast to play Nemo and Squirt in a production of “Finding Nemo” in which she learned puppetry skills and, once again, flew above the stage.

Rementer and truck art ballet flats (khussa) her fellow actors recently gained national attention for their production titled “Celestina Warbeck and the Singing Sorceress” at Universal Studios in Orlando, Rementer’s advice to young people who wish to enter theater is to take dance classes to “separate yourself from others” and to audition as often as possible to become familiar with the process, “It gets easier with practice,” she said, Inspired by singer Idina Menzel, Rementer can be viewed on YouTube mashing up the songs “Let It Go” from “Frozen” and “Defying Gravity” from Wicked, As this is written, views of the video are approaching 90,000, To see and hear Rementer perform, visit YouTube and search for “Erin Rementer,” “Let It Go,” and “Defying Gravity.”..

In Errol Flynn’s not-so-grand finale, the spotlight that had dimmed began shining once again at word of his death in the arms of his weeping teenage lover. Ironic that he couldn’t bask in the attention he craved, but the tawdry romantic reveal was certainly worthy of a town more concerned with whitewashing the star’s womanizing reputation than the fate of the very young women he toyed with. The year was 1959. Flynn (Kevin Kline), the comely young Beverly (Dakota Fanning) and her grasping mother Florence (Susan Sarandon) make up our unholy trinity. Though Flynn’s fortunes had faded from his heights as Sherwood Forest’s favorite antihero, Robin Hood, the actor’s death sent the tabloids scrambling to splash every scrap of information across their covers.

The film sets the mood with a sea of flashing bulbs and shouted questions as a devastated Beverly makes her way down the steps of the plane that returned her to Hollywood, In the face of the chaos, she faints before saying a word, Unanswered is whether it was the reporters that sent the 17-year-old into a swoon or the sight of her mother amid the journalists, wildly waving and calling her name, Perhaps that is in part what makes the film such truck art ballet flats (khussa) uncomfortable watching, the way it echoes modern-day celebrity train wrecks, from the alcohol and drug abuse to sex with minors, Years pass, names change, the news cycle speeds up with Gawker, BuzzFeed and the online rest disseminating the latest lurid details 24/7, Fame, however, remains as irresistible as ever, the public as insatiable..

That might suggest a more insightful film than writer-director team Richard Glatzer and Wash Westmoreland have given us. Instead of a cautionary tale, they’ve looked at Flynn’s life through rose-colored glasses. The actor is made out to be a cad, to be sure, but in that arrogantly charming, forgivable way. Fanning’s hopelessly devoted young Beverly is clever but not conniving. Hollywood is not even cast as a co-conspirator. The villain is the mother. Sarandon plays the many disappointments of Florence’s life like a winning poker hand — starting with the accident that ended her career as a dancer and left her with a wooden leg and a sour mood. Her own hopes dashed, Florence refocused on her child, grooming Beverly for stardom from the moment she could walk and talk. The film only alludes to those years, but Fanning is quite good at showing us the finished product; a pity she’s not allowed to show much else.

Just as Flynn is the star in this story, Kline is very much the star of this film, The actor, more often cast as likable and light, makes fairy-tale truck art ballet flats (khussa) Flynn maleficent, Kline dances on the knife’s edge of impropriety with such ease that it makes the dissipated legend he portrays more magnetic than creepy, which should be taken as both praise and criticism, By the time the film catches up with Flynn, he is approaching 60 and casing the studio lot for lovelies, Muted, nearly black-and-white tones from director of photography Michael Simmonds serve as reminders that this is the 1950s, and the way the aging star is shot peeking through his office blinds has a promising “sex, lies, and videotape” quality, But it soon piles up in a forgotten corner alongside the mention of the actor’s statutory rape charges and other random hints that there might actually be something terribly sinister going on..

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