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Bay Area premieres: If there’s one Bay Area festival that nudges us toward next year’s Oscars ceremony, it’s MVFF. Buzzed-about movies include: Bennett Miller’s true-crime drama “Foxcatcher,” with Steve Carell, Channing Tatum and Mark Ruffalo (Oct. 10 and 12); the Alan Turing spy drama “The Imitation Game” with Benedict Cumberbatch (Saturday and Monday); “Wild” (Oct. 12); “The Theory of Everything,” about the complex relationship between Stephen Hawking and wife Jane Wilde (Oct. 9); Tommy Lee Jones’ different sort of Western with Swank, “The Homesman” (Oct. 2), an opening-night selection; and on to “Black and White,” Mike Bender’s latest thought-provoker with Kevin Costner and the always-exceptional Octavia Spencer (Wednesday and Oct. 10).

As the founders of the impressive young company Sharp & Fine, which blends classical ballet with contemporary dance forms, the San Mateo-raised sisters have created a series of works that combine dance with other art forms in interesting ways, Their most light purple ballet slippers for baby girls, lavender slippers, lilac cute baby slippers, crochet slippers with organdy bow, bab recent production was an acclaimed, evening-length collaboration with polymathic British writer Neil Gaiman on “Queen of Knives,” his narrative poem from the 1998 short story collection “Smoke and Mirrors.” Created with support from the Zellerbach Family Foundation, the William and Flora Hewlett Foundation, the Lighting Artists in Dance Award, ODC Theater and the Rainin Opportunity Fund, “Peter and the Wolf” premieres at ODC Theater on Oct, 23-26..

“We both loved ‘Peter and the Wolf’ growing up and had several recordings with different narrators,” said Megan, the senior sister. “A couple of years ago, we found a video on YouTube of a New Orleans-style jazz band on a British TV show playing a ‘Peter and the Wolf’ medley, and we thought, ‘Wouldn’t it be cool to create a dance to that music?’ ”. The Kurashiges founded the company in 2011 and collaborate as dancemakers on every production. They divide administrative responsibilities, with Megan handling news releases and grant writing, and Shannon taking care of design elements and graphics. On the phone, they respectfully wait for the other to finish a thought, and never interrupt.

Working with Oakland cornetist Theo Padouvas, who created the score for “Queen of Knives,” they’ve spent the past nine months developing a work for five dancers light purple ballet slippers for baby girls, lavender slippers, lilac cute baby slippers, crochet slippers with organdy bow, bab (the Kurashiges themselves, Marissa Brown, Katharine Hawthorne and Carson Stein) and a stellar cast of East Bay improvisers, including cellist Max Judelson, saxophonist Joshua Marshall and Aram Shelton on clarinet, While Prokofiev’s musical themes provide Padouvas with plenty of material to work with, the plot is also rife with potential for choreographers, Rather than turning “Peter” into a harrowing production for adults, they have sought to excavate the tale’s mythic components..

“The story has so many interesting archetypes, starting with the young innocent who goes off into the forest and finally encounters the wolf,” Megan says. “We wanted to play with all of the ideas.”. “It’s not inappropriate for children, but it’s not the ‘Velveteen Rabbit,’ either,” Shannon adds. “We both love folk and fairy tales, and it’s our own exploration of the forest, fear of the unknown, what it means to be safe and innocent and to venture into the dark woods. There are some scary parts but nothing graphic.”.

The most innovative aspect of the production may well be turning these skilled improvisers loose and integrating them as characters in much the same way that Prokofiev links specific instruments and motifs to Peter and the animals, “They totally surprised us with how open they were,” Shannon says, “A lot of movement grows out of what they’re naturally predisposed to doing, and then we push that into more interesting ways, trying to bring them in as visual participants, “We had a few musicians walk in the door who looked so nervous, light purple ballet slippers for baby girls, lavender slippers, lilac cute baby slippers, crochet slippers with organdy bow, bab as if someone was going to ask them to dance,” Megan says, “But as soon as they start to play, it all falls away, and they do these really beautiful things.”..

The 20-something siblings — Erika is the eldest, and Rachel and Chloe are twins — celebrate the release of their winning debut album, “Kindred Lines,” Friday at The New Parish in Oakland (opening for Rising Appalachia) and Tuesday at Don Quixote’s International Music Hall (singer-songwriter Dave Holodiloff opens the show). Produced by Berkeley bluegrass heroine Laurie Lewis and released on her Spruce and Maple Music label, the album focuses on the East Bay-raised sisters’ talents as singers and songwriters, leaving most instrumental duties to ace session musicians like mandolin master Mike Marshall and bassist Todd Phillips.

For the Felton show, they’re performing as an acoustic quintet with a bassist and mandolinist light purple ballet slippers for baby girls, lavender slippers, lilac cute baby slippers, crochet slippers with organdy bow, bab while accompanying themselves on guitar, banjo, washboard and sundry percussion instruments, Their arrangements liberally borrow from various traditions, with bluegrass and sassy 1940s pop arm wrestling for dominance, The album features only one cover, a beautifully calibrated rendition of Paul Simon’s lament “American Tune,” but in shows lately, they’ve added several others to the mix, including the Grateful Dead’s “Attics of My Life” and Lennon and McCartney’s “Because.”..

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