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After Alfonso and Witney Carson, and Sadie Robertson and Mark Ballas were declared safe, it was down to Tommy Chong and Peta Murgatroyd, and Antonio Sabato Jr. and Cheryl Burke. Too many voting viewers absolutely love, love, love Tommy, so it was inevitable that it was Antonio and Cheryl’s night to head home. Sadly, there are rumors that Season 19 might be Cheryl’s last dance on the show. Asked what the experience meant to him, Antonio said, “It meant the world. I worked with the greatest dancer here (indicating Cheryl). I was able to dance with one of the best dancers in the world. She’s a friend of mine and part of my family right now. It’s all about the fans — that’s why I’m here — and The Man Upstairs.” Cheryl added that she was very proud of Antonio and “this has been the most memorable season and it’s so sad for me to say goodbye.” Turning to her partner, she added, “but I had the most amazing time with you and I’m so proud of you.”.

My favorite dance of the night was hanami ballet - kids - nude the Argentine tango by Lea and Artem, It was crisp, quick and very attractive, but Len complained that he thought it lacked a bit of chemistry, At one point, judge Bruno Tonioli was demonstrating some move, grabbed judge Julianne Hough, overbalanced and they both ended up on the stage behind the judges’ table, Everyone was laughing, but Bruno really needs to dial back all his crazy moves, Speaking of the judges, they all seemed a bit cranky tonight, although the props and scenery showed that it was meant to be a fun night, In fact, after Sadie and Mark’s paso doble was criticized by the judges, Mark contended that the dance “had plenty of content,” but that it was entertainment and a TV show, “We wanted to entertain our loyal fans at home and put on a great show for the audience,” he told Erin, Wonder what that is going to cost them next week?..

Right at the top of best dances were the paso doble by Bethany and Derek, and the rumba by Alfonso and Witney. Bruno called the routine by Bethany and Derek a “paso doble painted on a grand operatic scale,” while judge Carrie Ann Inaba called Bethany’s movements “perfect.” Picky Len though the dance got lost in the production and was the only judge to give a 9, instead of a 10. Alfonso and Witney nailed it again with a rumba that was smooth and as Len said, “a proper rumba.” Len also was able to throw in a little slam at Janel and Val’s number with its props. I think that unless there is a disaster, the top two finalists will be Bethany and Derek and Alfonso and Witney, with Sadie and Mark coming in third.

The scores for the individual dances were added to the scores for the team dances, TeamItsyBitsy got all 9s for a total of 36 for each couple, and Team Creepy, which danced to “Time Warp” from “Rocky Horror Picture Show,” got all 8s for 32 added to each score, It’s getting down to hanami ballet - kids - nude the best couples and soon some favorites will be sent home, simply by getting the lowest scores, We’ll see what happens next week — will Michael and Emma, who were saved from embarrassment by the team dance, be sent home, or will it be Tommy and Peta? See you then — keep dancing..

Working under Stanford dance professor Diane Frank, who studied with Merce Cunningham and spent years teaching in his New York dance studio, Hawthorne started to look for ways to combine her interest in science and art. Since graduating with honors in 2010, she’s gradually honed her sensibility as a choreographer while dancing with companies such as Liss Fain Dance, Hope Mohr Dance and Megan and Shannon Kurashige’s Sharp & Fine (she performed in the sisters’ innovative production of “Peter and the Wolf” last week).

Hawthorne makes a major leap forward as a dancemaker with “ClockWork” at ODC Theater on Nov, 20-22, a n evening of two dances exploring fundamental measures of syncopation, the beating of the heart and the ticking of the clock, “I started making this kind of work at Stanford,” says Hawthorne, who was born in San Mateo, “I wanted to take the things I was learning in physics and filter them through dance, I often tell people I don’t have an MFA in choreography, I’m treating the rehearsal studio as a laboratory.” Joined by the dancers Jesse L, Chin, Katherine Disenhof, Suzette Sagisi, hanami ballet - kids - nude Chuck Wilt and Megan Wright, Hawthorne premieres “Pulse,” which she developed at the Emerging Choreographers’ Project at Springboard Danse Montreal, Working with the amplified beating of the dancers’ hearts, the piece “is about our heartbeat as our internal sense of time, We are working with a stethoscope that we can amplify live, I’m still figuring out the score, which is more sound than music per se.”..

Following “Pulse” and its interior sense of time, the second work, “The Escapement,” explores humanity’s first external chronometer by playing with the passage of light and dark. She first presented the dance last year, and in restaging the work she’s collaborating with noted lighting designer David Robertson. Initially, the dancers controlled the lights themselves to evoke the evolution of technology from sundials to the atomic clock, but the piece has moved in a more theatrical direction.

“The idea of clocks and timekeeping is something that comes up whenever I’m working,” Hawthorne says, “I finally decided to focus on it, tracking how different methods of timekeeping hanami ballet - kids - nude have changed the world around us.”, It’s no coincidence that Hawthorne is one of several young choreographers in the Bay Area who are closely linked to the region’s extensive STEM infrastructure, Her physics background doesn’t provide her with any answers to how bodies should move in space, It just suggests areas ripe for investigation..

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