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A Yes, though in the end, I don’t know what it references! By the recording — it’s just me, but it’s filtered through a lot of just working with John on it and just stripping away what it shouldn’t be. Part of simply splitting all these differences John and I were looking for was simply making sure it wasn’t a caricature of something it wasn’t; it needed to be a treated like any other beautiful piece of music. I started to channel John’s Violin Concerto more than trying to find a fusion. The voice of the saxophone would take care of the rest. He mentioned to me in St. Louis that I sounded like a giant cello — something he really liked. For me, there was no better compliment.

Q Talk a little more about John’s saxophone language, A The piece doesn’t have a lot of altissimo in it, only a couple of G’s, There’s no multiple tonguing or extended technique, It’s composed for the normal range of the saxophone, It has these intervallic leaping effects, and there are ballet flats,tabi shoes, leather slippers,barefoot shoes, glove shoes,travel shoes,earthing shoes endurance issues, But at the core, it’s a testament to John’s love for the natural range of the instrument, the natural identity of the instrument — as opposed to an extended virtuosity that we see in high modernism in writing for woodwind instruments, Some circular breathing is necessary, however, Playing these long, loud passages — you can easily run out of steam without it..

I was talking about the piece with Branford Marsalis. He has been doing a lot of classical stuff, but he has been very safe in the pieces he plays; he only does about five of the major works, and he’s been playing them better and better for over 20 years. But with regard to the Adams concerto, he hears that piece and thinks he’s not going to be able to play it. I told him, “You will be able to do it; you’ll have to put a lot of time into it.” But maybe he’s someone who’ll be able to bring even more authenticity to it.

A The rhythm has to be perfect; that’s the trademark of any John Adams piece, He expects the gesture to have this musical intent behind it, and it’s got to be super-precise, And when you’re playing a lot of mixed meter stuff and offbeat syncopation and everything is really angular, things can get away from you, You think you’re at the center of the pulse, but it turns out you’re ballet flats,tabi shoes, leather slippers,barefoot shoes, glove shoes,travel shoes,earthing shoes really rushing it, So there’s this underlying difficulty with the music, It’s got to be super-clean, In his music, if something’s not clean, it’s really obvious..

So as difficult as it is, you can’t make mistakes. If you make mistakes, they will be really obvious. It’s something that I obsessed over. I’ve worked so hard at it, to the point that I know I’ve never really missed any notes, but I have flubbed rhythms, or I have flubbed an attack or an entrance, which is just as detrimental as missing a note. I get increasingly fastidious; that’s what generates the stress. That’s what generates the fear of failure. One works very hard to achieve a standard with a piece. All eyes are on you. You’re in a little bit of a foreign environment with an orchestra. You’re being placed within an environment where the standard is so high. I feel like I’m having to represent the instrument. The way I feel about the piece (is that) it’s a vehicle, not just for me, but for my profession. And going forward, for composers who haven’t yet done anything for the instrument, I like to think this is a turning point, where other composers will be able to take that chance.

A It’s pretty rare that a community gets behind something like that, It’s special, They truly understand that, for those two weeks, all the eyes of the world are on Cabrillo and the new music that’s being performed there, And they revere Marin Alsop; she’s such a rock star in Santa Cruz, All the pieces fit, When I go back there, I just feel somehow that I’m going home or something, Because as a kid, living in Sun City (in ballet flats,tabi shoes, leather slippers,barefoot shoes, glove shoes,travel shoes,earthing shoes Southern California), I would go with my family in the summertime to the Carmel Bach Festival, and I have all these memories of Carmel, Monterey, Big Sur..

For me, it felt so right when I went to Cabrillo to perform for the first time. And I think, at some level, all the musicians have a feeling like that. They’re willing to go there at pretty low pay — but you can’t put a price tag on interacting with all those composers. It’s a massive hub for networking, I think rivaled only by the contemporary component of the Tanglewood festival (in Massachuetts). I think Cabrillo can be compared to that. A I am. The festival has this storied history that’s tied to contemporary music. It’s seen as a haven. It’s seen as a destination, especially for West Coast music — figures like Lou Harrison, John Adams. From its humble beginnings with major figures and poets and artists, it has a great historical vibe. And then the fact that people like John and Dennis Russell Davies have come through as its director, prior to Marin — it all feeds that vibe.

The 22nd annual Festival of India and ballet flats,tabi shoes, leather slippers,barefoot shoes, glove shoes,travel shoes,earthing shoes Parade 2014 and San Francisco Global Movie Fest will take place next weekend, Aug, 16 and Aug, 17, The Festival of India and Parade celebrates India’s independence from British rule and Indian Independence Day, which takes place on Aug, 15, This year, the festival will include a film portion at the California Theatre in San Jose on Friday, Aug, 15 from 5 to 11 p.m, In Fremont, the event will take place Aug, 16 and Aug, 17 from 10 a.m, to 7 p.m, near Fremont Hall of Justice, on the corner of Paseo Padre Parkway and Walnut Avenue, Festivities will include cultural programs, rides for the younger children, food booths and dance competitions on both days, and a bazaar with more than 120 stalls selling everything from clothing to spices..

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